JHS BenderRegular price $224.00
1973 MKIII Tonebender ReplicaThe Legends Of Fuzz series is a collection of the world's most historic, rare, and sought after circuits.
Fuzz pedals have been a staple of the JHS lineup for over a decade. The Legends Of Fuzz series is a tribute to the most important fuzz circuits ever made. From the earliest days of fuzz in the mid-60's London scene to the 1990's ex-Soviet military factories that brought the Big Muff back to life, fuzz tells a story, and that story includes guitarists just like you.
In April of 1965, a new device changed rock 'n' roll forever. From the back workbench of Macari's Musical Exchange on Denmark Street in London, Gary Hurst invented the Sola Sound Tonebender fuzz. Building on the foundation of the American-made 1962 Maestro Fuzz Tone, Gary expanded what fuzz could do and gave a new sound to the thriving London music scene. Starting with his very first prototype made in a simple wooden box (April 1965) to the many other official Sola Sound versions like the MKI (Sept 1965), MK2 (Mid 1966), MK3/MK4 (Feb 1970), etc., the Tonebender has evolved just like the music that it helped create.
The JHS Bender is JHS's tribute to the 1973 MK3 Silver/Orange "Onomatopoeia" pedal. The Bender features three very special germanium transistors, tons of mojo, and fifty plus years of experience. The end result is a pedal that gives you the touch, feel, and response of the vintage germanium fuzz but with accuracy and consistency of carefully chosen modern silicon transistors.
The controls are Volume, Tone, and Attack. Volume sets the overall output level of the effect; turn it up and things get louder. Tone lets you sweep between bright and dark tones so that the Bender works well with a range of different amplifiers and guitars. Attack is the distortion control, the more you turn it clockwise, the more fuzz you create. On the side you will see a "Mode" button that lets you access a never-before-heard "JHS Mode". Push that button for more gain and a mid frequency boost to send you leads soaring through the mix. With higher Attack settings in this mode, you will feel the fuzz slightly gate depending on your picking dynamics. If you want a fuzz that can go from middle of the road crunch distortion to full out aggression, the Bender is for you. The tone control is extremely flexible and allows for dozens of sonic variations that most fuzz users only dream about.
If you love the fuzz sounds of Led Zeppelin, Jeff Beck, The Beatles, Mick Ronson (David Bowie), and My Bloody Valentine, then the Bender is for you.
VOLUME - Controls overall output volume. Left is less, right is more.
TONE - Controls the brightness of the sound. Left is darker, right is brighter.
ATTACK - Acts as a fuzz control. This is the same name that the original fuzz control had. Left is less, right is more.